Görsel İletişim Tasarımı Bölümü Koleksiyonu

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https://dspace.mudanya.edu.tr/handle/20.500.14362/194

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Browsing Görsel İletişim Tasarımı Bölümü Koleksiyonu by Category "Kitap Bölümü- Uluslararası"

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    Çanakkale war propaganda posters evaluation according to graphic design
    (Livre de Lyon, 2025-11) Ayçe, Mehmet Taragay; Ayçe, Meryem İlayda; 21436; Turan, Ersin; İris, Mesut
    Jean Jacques Rousseau once said, “The moment a man fenced a piece of land and said ‘this is mine,’ equality among people was destroyed and wars began.” (Ayhan, 2007). Throughout human history, wars have inevitably affected human life, sometimes causing great destruction and even the complete annihilation of civilizations. With the advancement of technology and its integration into daily life, developments in the field of warfare have resulted in armies becoming more powerful, mobile, and destructive. Alongside technological advancements, political movements and media institutions worldwide have also transformed. Before going to war, countries have had to use media and propaganda as effectively as warfare itself to justify their actions to their own people and to other countries. Indeed, propaganda efforts have often proven to be more effective than military actions. During World War I, European states, seeking colonies and land, engaged in propaganda efforts to justify their actions to the world’s people and gain military support. Prior to and during the Gallipoli Campaign, the propaganda efforts of the British, French, and Australian governments led to groups that had never before confronted each other to unleash death upon one another from opposing trenches. Counter-propaganda efforts during wartime have been employed in many wars since and are still in use today.
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    Letter and the Limits of Form Methodological Approaches of Experimental Calligraphy With the Latin Alphabet Latin Letterforms Beyond Conventional Limits
    (IGI Global, 2026) Kipdemir, Serdar; 341649; Dölkeleş, Gülce
    This article explores the formal limits of the Latin alphabet and the processes of its redefinition in the context of experimental calligraphy. Going beyond traditional calligraphy, this approach focuses on the dynamic relationships between writing and visual communication, highlighting the critical role of writing tools, ink and paint in the creative process. Methodological approaches to the reconstruction of letterforms are analyzed in an interdisciplinary framework. Furthermore, the potential of calligraphy to transform the dimensions of legibility, aesthetic experience and semantic expression, and the paradox between the limitations and infinity of the letterform are explored in a cultural context. This study aims to expand the methodological depth of experimental calligraphy and the intersection of technical skills, material use and visual communication.
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    The ethical dimension of artificial intelligence in terms of art
    (Paradigma Akademi Yayınları, 2024-11) Dölkeleş, Gülce; 36080; Kılıçaslan, Yılmaz; Altıok Gürel, Pınar; Kılıçaslan, Emine
    Art is a powerful tool that people use to express their emotions, thoughts, and imagination. While art manifests itself in many different disciplines, the ethical responsibilities of artists also emerge. Ethics in art includes issues such as balancing the creative freedom of expression of artists, respecting social values and considering their potential impact. With the development of technology, it is possible to come across artificial intelligence and applications that make our lives easier and take their place in every field in daily life. At the stage of the creation of artificial intelligence, there are layers such as learning, planning, recognizing sounds and problem solving.
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    The Relationship Between Algophobia and Hedonism: Semiotic Analysis of the Effect of Happy Slogan on Consumption
    (IGI Global, 2025-12) Güler, Gizem; 350727; Dölkeleş, Gülce
    By portraying pain as weakness and marketing permanent well- being, it is seen that society's pain tolerance decreases. In addition, with the normalization of permanent well- being, a pleasure- oriented society of positivity is tried to be built. The negative emotions of the society created are suppressed in various ways. Consumption is at the forefront of these. Consumption is a tool used by modern society to escape from pain and access pleasure. Over time, it has been observed that the lack of pleasure has been tried to mean the existence of pain. The happy slogan used in the commercials emphasizes that the mass will achieve pleasure during consumption and the society associates consumption with happiness. The audience, who buys in order to reach pleasure, fails to achieve the happiness they expect at the moment of purchase and starts to plan their next purchase behavior. This situation was analyzed with semiotic analysis through the slogans used in Turkish brands Ülker and Eti.