İngiliz Dili ve Edebiyatı Bölümü Koleksiyonu

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https://dspace.mudanya.edu.tr/handle/20.500.14362/195

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Browsing İngiliz Dili ve Edebiyatı Bölümü Koleksiyonu by All Authors "Yılmaz, Yakup"

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    A Zone of Death: Ballardian Necropolitical Sovereignty in Concrete Island
    (RumeliYa, 2025-07) Özçelik, Kaya; 351393; Yılmaz, Yakup
    This study focuses on J.G. Ballard’s Concrete Island (1974) through the theoretical lens of necropolitics defined by Achille Mbembe to analyse the abandonment and exclusion of certain lives within the infrastructural settings of late modernity. Centring on the protagonist Robert Maitland, stranded in an abandoned interstice of a London motorway - an island within a hyperfunctioning urban framework, the novel details the bitter struggles of an individual to survive. His descent into an utter physical deterioration and psychological disintegration depicts a necropolitical rationale in which the system of the state and its technological mechanisms determine not only who is entitled to live, but more crucially, who can be permitted to die. In this context, this study posits that the motorway island in the novel portrays a necropolitical zone as an uncontrollable space that partially exists within and outside the urban framework, where normative protections and social acknowledgements are put on hold. It is through this marginalisation that Ballard also criticises the immunitarian structures of neoliberal urbanism. Through this spatial marginalisation, Ballard critiques the immunitarian structures of neoliberal urbanism, which prioritise speed, efficiency, and visibility, while transforming certain bodies and lives into throwaways. Putting Maitland’s ongoing dehumanisation process in front of the eyes of the reader, Ballard illustrates how sophisticated infrastructure leads to a desolate environment with human detritus, reminding the reader of Mbembe’s claim that the ultimate expression of sovereign power is verified in its capacity to determine the individuals who are allowed to continue living and who are not. Building on Roberto Esposito’s immunitary paradigm and urban biopolitical theory, this study explores Ballard’s Concrete Island within the contemporary discussions focusing on urban isolation, social exclusion, and the politics of violence regarding the fast-developing modern world.
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    The end of the world: unveiling dystopian apocalypse in Caryl Churchill’s far away
    (Rumeliya, 2025) Özçelik, Kaya; 351393; Yılmaz, Yakup
    Being a seminal work, Caryl Churchill’s Far Away delves deep into the layers of the end of the world by merging both dystopian and apocalyptic visions. Offering a fragmented narrative that reflects the disintegration of social, moral and natural orders of the world, Churchill’s play brings her reader/audience closer to face how the end of the world will be. The play’s structure and tone progressively immerse the audience in a world unravelling into chaos, where the boundaries between good and evil blur, and nature itself becomes embroiled in humanity’s conflicts. Through minimalist dialogue and surreal imagery, Churchill presents her reader/audience with a disturbing portrayal of a society where fear, violence, and moral ambiguity are the mere causes of the apocalypse. While the dystopian elements in the play are underlined through the depiction of authoritarian control, systemic violence, and the erasure of individual agency with Churchill’s chilling commentary on the fragility of democratic and ethical structures, themes such as the collapse of ecological and social harmony that eventually lead to an inevitable descent into global destruction form the backbone of apocalyptic discourse in Far Away. Endowing her play with postmodernist techniques such as fragmented storytelling and open-ended conclusion, Churchill invites the audience to grapple with the moral consequences of complicity and the pervasive impact of war and ecological crisis. This study examines how Far Away interweaves dystopian and apocalyptic elements to criticise contemporary sociopolitical and environmental issues. Exploring themes of dehumanization, systemic oppression, and environmental decay, the play compels its reader/audience to confront the urgent ethical dilemmas of the modern world. All in all, Churchill’s work offers a potent warning about the interconnected nature of societal collapse and ecological destruction, with a specific urge to enable humanity to reconsider its role in shaping a sustainable and near future.
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    The End of The World: Unveiling Dystopian Apocalypse in Caryl Churchill’s Far Away
    (RumeliYa Yayıncılık, 2025-02) Özçelik, Kaya; 351393; Yılmaz, Yakup
    Being a seminal work, Caryl Churchill’s Far Away delves deep into the layers of the end of the world by merging both dystopian and apocalyptic visions. Offering a fragmented narrative that reflects the disintegration of social, moral and natural orders of the world, Churchill’s play brings her reader/audience closer to face how the end of the world will be. The play’s structure and tone progressively immerse the audience in a world unravelling into chaos, where the boundaries between good and evil blur, and nature itself becomes embroiled in humanity’s conflicts. Through minimalist dialogue and surreal imagery, Churchill presents her reader/audience with a disturbing portrayal of a society where fear, violence, and moral ambiguity are the mere causes of the apocalypse. While the dystopian elements in the play are underlined through the depiction of authoritarian control, systemic violence, and the erasure of individual agency with Churchill’s chilling commentary on the fragility of democratic and ethical structures, themes such as the collapse of ecological and social harmony that eventually lead to an inevitable descent into global destruction form the backbone of apocalyptic discourse in Far Away. Endowing her play with postmodernist techniques such as fragmented storytelling and open-ended conclusion, Churchill invites the audience to grapple with the moral consequences of complicity and the pervasive impact of war and ecological crisis. This study examines how Far Away interweaves dystopian and apocalyptic elements to criticise contemporary sociopolitical and environmental issues. Exploring themes of dehumanization, systemic oppression, and environmental decay, the play compels its reader/audience to confront the urgent ethical dilemmas of the modern world. All in all, Churchill’s work offers a potent warning about the interconnected nature of societal collapse and ecological destruction, with a specific urge to enable humanity to reconsider its role in shaping a sustainable and near future.